For this weeks guest lecture was Tom Hackett. He is a sculptor and artist who's work is quite surrealist and is quite interactive. He tries to make all of his work interactive and enjoys it to see people take a lot of care of his work and looks after it as if it was their own. His work is always quite big and uses a lot of objects, he also likes hanging things, for instance his work where he hung buckets from an art museum and when he hung library codes from the ceiling of a former library. He has done a lot of work with rivers where he collects water after different time intervals e.g. 5 or 15 minutes. When he spoke about the his stories about his work they were very strange and quite odd, which is quite similar to a lot of his projects.
A lot of his projects are quite unique and quite strange which I guess is what surrealism is all about, but to be honest I didn't find him or his work that interesting. When I look at his work I find it to be very surreal which is exactly to sort of thing that he was going for. His work was very interesting all the strange ways he creates these truly bizarre sculptures and what he does with them e.g. with the dogs he walk with one down the street.
Overall I would say that he was quite and interesting person and his work was too but since it wasn't anything to do with photography I wasn't that interested in it much.
Wednesday, 3 December 2014
Wednesday, 19 November 2014
Revolver Revolver
Todays guest speaker was Chris Redshaw from graphic design agency Revolver Revolver. He spoke about what it is like to work for an agency and how most agency will have very few employees around 4-6 in total.
He said that when his company are doing projects for clients they spend a few days understanding the brief, meeting with the clients and planning out the work before actually beginning the work. He said that they will take a day break just before the work actually starts to focus on other work or getting more ideas for what they can do for the project.
Revolver Revolver is Chris' own company that he started in 2008 with a bit of monetary help from Derby University. In the six years since the company began he has worked for some of the biggest clients including designing for Formula 1. The company currently has 5 employees who work constantly together and they do get to know each other really well.
He said that when his company are doing projects for clients they spend a few days understanding the brief, meeting with the clients and planning out the work before actually beginning the work. He said that they will take a day break just before the work actually starts to focus on other work or getting more ideas for what they can do for the project.
Revolver Revolver is Chris' own company that he started in 2008 with a bit of monetary help from Derby University. In the six years since the company began he has worked for some of the biggest clients including designing for Formula 1. The company currently has 5 employees who work constantly together and they do get to know each other really well.
Wednesday, 5 November 2014
William Eggleston
After watching a documentary on William Eggleston, it shows how he has photographed Memphis over his 50 year career. He was born in the Tennessee town back in 1939 and has spent his entire life there shooting images. He is known for shooting was is considered the boring, he would photography it and made look very interesting. I feel that being able to make the "boring" look really interesting is the sign of a brilliant photographer. Eggleston received his first camera in 1957 aged 18, he was self taught and still today shoots on film. He had his first exhibition in the New York Museum of Modern Art in 1976.
Eggleston was the first to use colour film and brought to the rest of the world, due to his photos of the "boring" and colour his first exhibition was slated by critics who found it tedious. After gaining his first camera he began reading about Kodak and experimenting to try and become a better photographer.
His most famous photograph is of a light bulb in a red room, the photo is also known for its sexual posters in the bottom corner of the image. Over his highly successful career Eggleston has not only been regarded as one of the best photographers but also one of the most influential, this became evident to me when almost everybody in my college group was influenced by him during a project.
When talking about his famous photo The Red Ceiling, shown above, he said that he has tried to recreate the image but said he had never been able to recreate it to his satisfaction he also regards it as his challenging and powerful pieces of work.
He may consider what he takes photos of "the boring" but his images are far from that some of his photographs are the most spectacular and brilliant photographs that I have ever seen, to me they seem even more brilliant when you realise how simplistic they actually are.
Eggleston is regarded as the man who brought colour photography to the world and his photography certainly showed the work what was capable with colour photography and he has done it in the best way possible.
With the top image I would say that this image was originally just a random photo that Eggleston decided to take but now I believe he says he uses it to remember someone who was murdered in the room. Just looking at the image it is quite an interesting one, the wires across the ceiling are quite interesting as some of them do resemble cracks in the ceiling. The black part at the bottom of the image looks like a window but looking at the enlarged version of the image it is red in the background so it may just be something lent against the wall.
The second image is quite interesting because it shows the wreck of a car balancing over the edge of a building. Another fascinating thing about this image is the sky it is near perfect as their is no clouds in the sky which makes the image what it is. The different colours of blue are brilliant the light blue colour on the building and the darker blue in the sky compliment each other so well the truly changes the image for a good one to a spectacular one. Looking at the photo and the different vehicles in the shot I would have the guess that this image was taken during the 1960s. Like all of Eggleston's other images it was taken in Memphis, Tennessee.
The bottom image is quite similar to the second due the fact that the blues not only compliment each other so well but also because the two blues are quite similar. The blue on the pole and one the building in the second are quite similar as well and the blue in the sky is a bit darker in the bottom image. This image was taken during the documentary so it was most likely between 2008 and 2011. The most interesting part for me in this image is the item wrapped around the pole which is mostly red but has many other colours on it as well which is quite fascinating as well.
Eggleston was the first to use colour film and brought to the rest of the world, due to his photos of the "boring" and colour his first exhibition was slated by critics who found it tedious. After gaining his first camera he began reading about Kodak and experimenting to try and become a better photographer.
His most famous photograph is of a light bulb in a red room, the photo is also known for its sexual posters in the bottom corner of the image. Over his highly successful career Eggleston has not only been regarded as one of the best photographers but also one of the most influential, this became evident to me when almost everybody in my college group was influenced by him during a project.
When talking about his famous photo The Red Ceiling, shown above, he said that he has tried to recreate the image but said he had never been able to recreate it to his satisfaction he also regards it as his challenging and powerful pieces of work.
He may consider what he takes photos of "the boring" but his images are far from that some of his photographs are the most spectacular and brilliant photographs that I have ever seen, to me they seem even more brilliant when you realise how simplistic they actually are.
Eggleston is regarded as the man who brought colour photography to the world and his photography certainly showed the work what was capable with colour photography and he has done it in the best way possible.
With the top image I would say that this image was originally just a random photo that Eggleston decided to take but now I believe he says he uses it to remember someone who was murdered in the room. Just looking at the image it is quite an interesting one, the wires across the ceiling are quite interesting as some of them do resemble cracks in the ceiling. The black part at the bottom of the image looks like a window but looking at the enlarged version of the image it is red in the background so it may just be something lent against the wall.
The second image is quite interesting because it shows the wreck of a car balancing over the edge of a building. Another fascinating thing about this image is the sky it is near perfect as their is no clouds in the sky which makes the image what it is. The different colours of blue are brilliant the light blue colour on the building and the darker blue in the sky compliment each other so well the truly changes the image for a good one to a spectacular one. Looking at the photo and the different vehicles in the shot I would have the guess that this image was taken during the 1960s. Like all of Eggleston's other images it was taken in Memphis, Tennessee.
The bottom image is quite similar to the second due the fact that the blues not only compliment each other so well but also because the two blues are quite similar. The blue on the pole and one the building in the second are quite similar as well and the blue in the sky is a bit darker in the bottom image. This image was taken during the documentary so it was most likely between 2008 and 2011. The most interesting part for me in this image is the item wrapped around the pole which is mostly red but has many other colours on it as well which is quite fascinating as well.
Wednesday, 8 October 2014
Louise West
Our second guest lecture of the year was Louise West, a contemporary textile artist who was talking about lace. Throughout her talk she spoke mainly about her university courses her BA and MA courses. She didn't really talk about what lace was but mainly spoke about her achievements and didn't mention that the creative industry will be an up and down journey and not a smooth ride. This is why I didn't really find this talk that interesting. Also I feel this had nothing to do with any with any group who was in there. The main thing was she seemed to be boasting about her achievements instead of talking about the actual process of her work which I believe many people probably found to be quite boring and they simply weren't interested.
This talk was easily the most uninteresting of the entire year this was mainly due to the fact that it wasn't related to anybody's course, I don't know whether the fashion and textiles group were in the room during the talk, if they were they it was relevant for them but not for us. Due to this the talk was really boring, I do feel that some of the fashion and textiles group may have also not been to interested.
This talk was easily the most uninteresting of the entire year this was mainly due to the fact that it wasn't related to anybody's course, I don't know whether the fashion and textiles group were in the room during the talk, if they were they it was relevant for them but not for us. Due to this the talk was really boring, I do feel that some of the fashion and textiles group may have also not been to interested.
Camera Composition
For this task we had to go out and take several photographs to do with camera composition. We were given different words to photograph. This was the second time on this course and the fourth overall I have done this task and I can say that the work has got a lot better over the other times I have done it.
| Balance |
| Close distance |
| Colour |
| Far distance |
| Focus |
| Frame within a frame |
| High angle |
| Lines |
| Low angle |
| Pattern |
| Reflection |
| Rule of Thirds |
| Shadow |
| Texture |
| Tilted angle |
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